EL GRECO DRAMATIC ART FINDS OR AN INTERESTING ENIGMA. A moving and beautiful painting which keeps more questions than answers. It was among dozens of others in this dank and dismal basement of the middle-income house in London´s Portobello Road. It´s owner got just made a few works open to a favorite gallery and the state of some of them appeared critical as some revealed balding areas which would take a lot of work and expense to restore. It had been badly lit and three of them, although obviously over coated in two instances, stood out as clear masterworks round the 17th apparently. Or sixteenth century.
Relining and patch maintenance behind the canvases showed they had been looked after over a period and sometimes with whatever materials was affordable at that time. The paintings were on offer at what seemed to be affordable prices taking into account their religious character. One was a Venus or some sort and betrayed echoes of “Titian”. The other, a type of Pieta with an Angel which was very uncommon and even in the twilight produced an impact that regarding to its present owner “delivered a shiver of excitement down his spine”.
He had been used there by a favorite art dealer near Ladbroke Grove who understood his preferences and who got struck lucky both at auctions and in retail buys of quality antiques. This time he knew he had not merely obtained one but three potential “finds” although, as he confessed to the seller, he had misgivings about putting them out for research and expert opinion without real Provenance to add them to. The family disposing of them were concerned about the fact that the history came from a military dad published to Burgos and Toledo during the Spanish Civil War.
The paintings had been valued on quality alone by the family bankers since signatures were not visible on all three paintings which required a deep cleaning that had not been done properly within the centuries. It was then that I really understood just how incompetent publication worms without creative sensitivity and imagination were with respect to the ability to recognize authorship. A comment like that about a maverick painter like EL Greco whose effects were obtained by taking compositions beyond the reasonable, said only 1 thing – that these so called experts were not artists. What they were doing charging for critical appraisals, was tantamount to false pretensions.
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